#Fabfilter timeless 3 generator
#Fabfilter timeless 3 full

For me, these features proved to be the most useful and effective, as I could easily create simple and unique delays for vocal slaps, drum echoes, guitar space, etc.

My favorite new additions to Timeless 3 are the tonal shaping options, as you can now adjust parameters such as Drive, Lo-Fi, Diffuse, Dynamics, and Pitch of your delay tail in really obvious and exciting ways.

#Fabfilter timeless 3 full

I strongly suggest watching the Timeless 3 overview video on FabFilter’s website, as it’s beyond the scope of this review to capture the full gamut. You can get extremely deep with this plug-in – a sound designer’s dream for sure – and it’s easy to see that FabFilter has spent a lot of time making it as intuitive as possible. You can modulate and effect nearly any parameter on the GUI with LFOs, envelope generators and followers, XY controllers, MIDI sources, and more. Timeless 3 also offers improvements to the modulation engine and filters, in ways similar to their distortion and saturation plug-in Saturn 2. Timeless 3 doesn’t have to be complicated per se (if you’re not looking to spend a lot of time crafting the delay of your dreams), but the ceiling for cooking up something spectacular is sky high. Like other newer FabFilter releases, Timeless 3 also offers various interface sizes and full-screen mode, which is impressive on larger monitors.īeyond the streamlined new look is the most intricate and powerful set of parameters I’ve ever seen in a delay plug-in. Billed as an analog tape-style delay plug-in, Timeless 3 also touts improved sound quality, reminding me of the Master Tape setting in Soundtoys’ EchoBoy. Most noticeably, the upper left corner of the GUI displays a graphic representation of the delay you’re hearing, and allows you to click on any part of the tail and change the length and gain… it’s a really innovative and fun way to allow the user to dig in and start getting their hands virtually dirty. Timeless 3 features a totally redesigned GUI, bringing it in line with FabFilter’s other plug-ins – simple, sleek, and easy to navigate. With Timeless 3, FabFilter has done it again, pushing the boundaries of what’s both possible and expected in a delay plug-in. I’m used to thinking, “I didn’t know I needed that!” when watching their overview videos. There are: analog-modeled saturation, digital-distortion with the Drive and Lo-Fi controls the Diffuse knob will soften/smear the delays with a reverb-like effect compress or gate using the Dynamics control and the Pitch control-a way to shift feedback pitch up/down by up to an octave.FabFilter has a reputation for taking common effects plug-ins, such as compression and EQ, then elevating them to new, mind-blowing levels of utility and complexity. Unique to Timeless 3 are the five single-knob feedback path effects.

#Fabfilter timeless 3 generator

The real fun starts with modulating nearly any plugin parameter using host synched modulation sources such as: XLFO-a way to create custom waveform shapes then there is an ADSR envelope generator and envelope follower triggered by MIDI or audio incoming MIDI data also can be used plus X/Y controller data (mouse) inputs. Seemingly infinite delay coloring is possible by way of six different multimode filters that are the familiar color-coded nodes you can drag into position just as in FabFilter’s Pro-Q3. There are controls for: cross feedback, inverting phase, ping pong modes, and pitch/time stretch effects just like old-school tape recorders when changing speeds. The dual delay lines provide delay times anywhere from 5ms up to five seconds with host tempo sync and panning. The now larger interface has been redesigned and de-cluttered but somehow includes all the controls for creating intricate delay effects far beyond your imagination. Timeless 3 is FabFilter’s latest version of its delay/modulator plugin-a completely different processor compared to the previous Timeless 2.